IFB

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	<title>IFB</title>
	<link>https://institutfunderbakke.com</link>
	<description>IFB</description>
	<pubDate>Wed, 19 Aug 2026 09:45:30 +0000</pubDate>
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		<title>Sense And Sensibility </title>
				
		<link>https://institutfunderbakke.com/Sense-And-Sensibility</link>

		<pubDate>Wed, 19 Aug 2026 09:45:30 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Sense-And-Sensibility</guid>

		<description>
	
	
It is an enormous pleasure for IFB to invite you to&#38;nbsp; 
Sense and Sensibility

SENSE AND SENSIBILITY

featuring 

Louis Backhouse
Tony Just
Christine Kirubi
Pier Paolo Pasolini 
Alex Vivian 
Mierle Laderman Ukeles

19th September - 22nd November 2026

Sense and Sensibility is a show about dirt - Mental dirt, physical dirt, imagined and projected dirt - and by whom and how is the dirt being dealt with.

Sense and Sensibility considers the notion that dirt, somehow obvious, produces implicit and explicit urges to clean.


Louis Backhouse, Men in Love (Farm), 2026, giclee prints on archival paper in 18 clip frames, 255cm x 84cm

‘Men in Love (Farm)’ consists of a collection of images of Piétrain pigs, taken from livestock breeding farm’s advertisement material. The work acts as a caricature illustration of society- simultaneously uttering the phrase that all men are pigs.

Louis Backhouse born 1992 and based in London. Recent Shows include No Losers , Jenny and Tenko Presents, New York and&#38;nbsp; Men in Love, 243 Luz and Co London both 2026.

Tony Just, Untitled 1994 , Print on photo paper 26.5 x 34 cm

Excerpt from the legendary text&#38;nbsp; “Ghosts of Public Sex, Utopian Longings, Queer Memories.” in Cruising Utopia: The Then and There of Queer Futurity by José Esteban Muñoz (2009) 

‘3. Ghosh and Utopia I tum now from the ghost of Oscar Wilde that haunts Bloch's thinking on utopia to the ghosts that circulate in the photography of Tony Just. In 1994 Just completed a project that attempted to capture precisely what I'm calling the ghosts of public sex. The project began with Just selecting run-down public men's rooms in New York City, the kind that were most certainly tea rooms before they, like the Prince Street toilets that Giorno describes, were shut down because of the AIDS/HIV public health crisis. Just then proceeded to do the labor of scrubbing and sanitizing sections of the public men's rooms. The preparation of the spaces is as central to the series as the photos I choose to fcx:us on themselves; the only evidence of this behind-the-scenes aspect of the larger project are the clean spaces themselves- Just's labor exists only as a ghostly trace in a sparkling men's room. He documented this project through color slides and photographs (see illustrations) that focused on the bathrooms' immaculate state and the details of such spaces. The urinals, tiles, toilets, and fixtures that are the objects of these photo images take on what can only be described as a ghostly aurn, an other-worldly glow. This aura, this circuit of luminous halos that surround the work, is one aspect of the ghosts of public sex that this essay is interested in describing’. 

Tony Just (born 1969, Maryland, USA.)&#38;nbsp; Lives and works in Berlin.

Christine Kirubi, The Recording, Slade School of Fine Art, UCL, Gower Street, WC1E 6BT, 19.05.2018, Raven Row, 56 Artillery Lane, E1 7LS, 20.12.2026, Institut Funder Bakke, Æbeløvej 20, 8600 Silkeborg, 19.9.2026, 2026, Vaseline.

Christine Kirubi is an artist-poet based in London. She is the author of WILDPLASSEN published by the87press and Partures. published by Gong Farm.

Pier Paolo Pasolini, Pigsty (Italian: Porcile) 1969, 99 min

Pigsty (Italian: Porcile) is a 1969 Italian film written and directed by Pier Paolo Pasolini starring Jean-Pierre Léaud, Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Alberto Lionello, Franco Citti and Anne Wiazemsky.

The Criterion Collection's website states "Provocateur Pier Paolo Pasolini is at his most incendiary in this double-edged allegory on fascism, consumerism, and resistance. .... these stories of transgression form a scathing commentary on postwar European moral rot and the meaning of rebellion in the face of a corrupt world.

Pier Paolo Pasolini (born 1922 Bologna Italy, died 1975 Ostia, Italy) was an Italian poet, revolutionary, writer, film director, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.

Alex Vivian, Putridity studies, 2026 Used pillow cases, stretcher bars, MDF, PVA glue, lead pencil, hand cut printed paper

Pillowcases are overlooked as merely housing to soft inner fillings or a protective fabric liner. Said shells are accompanied by description… but of what exactly?

Pillow cases; skins, gutted; down/fluff filling removed, plucked; stitching removed.

Alex Vivian (born 1981, East Melbourne, Australia). He currently lives and works in Berlin, Germany. He co-founded the spaces Rubbish Bin in Berlin and the Guzzler in Melbourne. 

Mierle Laderman Ukeles Touch Sanitation Performance, 1977-1980/ printed in 2017
archival pigment print, measuring 16" x 24" or 24” x 16”.

Email from Mierle -

"This very special image shows one of the many images shot during the citiwide TOUCH SANITATION PERFORMANCE (1979-1980). It shows a group discussion with me and many sanitation workers in the DSNY section office, which was in a former old jail in Harlem.&#38;nbsp; We were at lunch with the sanitation workers, where one was yelling at me about their lousy conditions and how people treat them.&#38;nbsp; An honest outburst!&#38;nbsp; 

I welcomed his honesty and the trust he placed in me to respect his outburst.&#38;nbsp; Ron Feldman was sitting next to me (unfortunately hidden from that camera angle).&#38;nbsp; He was very moved by this unexpected encounter and the large part of the day we had spent accompanying sanmen on their routes in the streets of their section.&#38;nbsp; He was so moved that he offered me a show in the Feldman Gallery right after this!" 

….Building on her work with maintenance workers, Ukeles met with over 8500 employees of the New York Sanitation Department for Touch Sanitation. She shook the hand of each employee, saying, "Thank you for keeping New York City alive". She documented these encounters on a map and meticulously recorded her conversations with the workers. In exhibitions of the project, she also presented documentation of some of the workers' private stories, in the hope of altering public perception and negative attitudes toward sanitation workers. In order to assist the artist, the sanitation department provided her with a driver and a guide for the entire year.

Ukeles referred to the (at that stage all male) sanitation workers as "the housekeepers of the city" and expressed a desire to shatter misconceptions about the importance, and intelligence of sanitation workers, through making their labor and their stories visible.

This artwork successfully challenged ideas about who is important enough to make art about; what art can be (performance, conversation, stories, transport); and also made possible a new kind of social art practice, which continues in contemporary art today.

Mierle Ladetmen Ukeles (born 1939 Denver,&#38;nbsp; USA) Based in New York City, Mierle Laderman Ukeles is known for her groundbreaking feminist, service-oriented artwork and performances.

Institut Funder Bakke&#38;nbsp; Æbeløvej 20&#38;nbsp; 8600 Silkeborg&#38;nbsp; Denmark www.institutfunderbakke.com

Open Saturdays and Sundays 12 - 4pm and by appointment


&#38;nbsp;
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Louis Backhouse, Men in Love (Farm), 2026, giclee prints on archival paper in 18 clip frames, 255cm x 84cm
‘Men in Love (Farm)’ consists of a collection of images of Piétrain pigs, taken from livestock breeding farm’s advertisement material. The work acts as a caricature illustration of society- simultaneously uttering the phrase that all men are pigs.


&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/3c0599aee358f14782427d54a0cd0234efb9d81819d7bbb9c5c69b7c0a5a7e4c/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3231_sRGB_web.jpg" data-mid="252770879" border="0"  src="https://freight.cargo.site/w/1000/i/3c0599aee358f14782427d54a0cd0234efb9d81819d7bbb9c5c69b7c0a5a7e4c/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3231_sRGB_web.jpg" /&#62;
Mierle Laderman Ukeles Touch Sanitation Performance, 1977-1980/ printed in 2017 archival pigment print, measuring 16" x 24" or 24” x 16”.


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&#60;img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/ee68c0da3a00d7328bf3a7796c567ec0b864f4a477c1bdbd355b750bd604b3a8/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3102_sRGB_web.jpg" data-mid="252770841" border="0"  src="https://freight.cargo.site/w/1000/i/ee68c0da3a00d7328bf3a7796c567ec0b864f4a477c1bdbd355b750bd604b3a8/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3102_sRGB_web.jpg" /&#62;Tony Just, Untitled 1994 , Print on photo paper 26.5 x 34 cm

In the early 1990ies Tony Just&#38;nbsp; produced a body of work that consisted of him meticulously cleaning New York public toilets known to be cruising spots. He then took photos of&#38;nbsp; sensualised cleaned surfaces in these otherwise never much cared for public spaces. In this case the curvy wet white porcelain of the urinal.The work has been in depth developed and immortalized in the the Text - “Ghosts of Public Sex, Utopian Longings, Queer Memories.”- by the late great art historian José Esteban Muñoz&#38;nbsp; 
This Photo is the only remaining work from this series, it exists in 2 copies. The rest of the series has been lost. 

Tony Just (born 1969, Maryland, USA.)&#38;nbsp; Lives and works in Berlin.

Excerpt from the legendary text&#38;nbsp; “Ghosts of Public Sex, Utopian Longings, Queer Memories.” in Cruising Utopia: The Then and There of Queer Futurity by José Esteban Muñoz (2009) 

‘3. Ghosh and Utopia I tum now from the ghost of Oscar Wilde that haunts Bloch's thinking on utopia to the ghosts that circulate in the photography of Tony Just. In 1994 Just completed a project that attempted to capture precisely what I'm calling the ghosts of public sex. The project began with Just selecting run-down public men's rooms in New York City, the kind that were most certainly tea rooms before they, like the Prince Street toilets that Giorno describes, were shut down because of the AIDS/HIV public health crisis. Just then proceeded to do the labor of scrubbing and sanitizing sections of the public men's rooms. The preparation of the spaces is as central to the series as the photos I choose to fcx:us on themselves; the only evidence of this behind-the-scenes aspect of the larger project are the clean spaces themselves- Just's labor exists only as a ghostly trace in a sparkling men's room. He documented this project through color slides and photographs (see illustrations) that focused on the bathrooms' immaculate state and the details of such spaces. The urinals, tiles, toilets, and fixtures that are the objects of these photo images take on what can only be described as a ghostly aurn, an other-worldly glow. This aura, this circuit of luminous halos that surround the work, is one aspect of the ghosts of public sex that this essay is interested in describing’. 


&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/e621894c60d42fee7ac9057efcb58b76c9027b16bedd1ad430161f8b3cd812e2/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3074_sRGB_web.jpg" data-mid="252770851" border="0"  src="https://freight.cargo.site/w/1000/i/e621894c60d42fee7ac9057efcb58b76c9027b16bedd1ad430161f8b3cd812e2/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3074_sRGB_web.jpg" /&#62;
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&#60;img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/c0602bc49ba5ca8eaa8ba2c6b7377bc80a06e243b797e49d941b12ed0af95b3a/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3103_sRGB_web.jpg" data-mid="252770828" border="0"  src="https://freight.cargo.site/w/1000/i/c0602bc49ba5ca8eaa8ba2c6b7377bc80a06e243b797e49d941b12ed0af95b3a/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3103_sRGB_web.jpg" /&#62;
Alex Vivian, Putridity studies, 2026 Used pillow cases, stretcher bars, MDF, PVA glue, lead pencil, hand cut printed paper
Pillowcases are overlooked as merely housing to soft inner fillings or a protective fabric liner. Said shells are accompanied by description… but of what exactly?
Pillow cases; skins, gutted; down/fluff filling removed, plucked; stitching removed.


&#60;img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/b54aad7bcd242b97d60d0f0b2d97102254f125d0f8762016753b9cc40d0c97ab/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3250_sRGB_web.jpg" data-mid="252770887" border="0"  src="https://freight.cargo.site/w/1000/i/b54aad7bcd242b97d60d0f0b2d97102254f125d0f8762016753b9cc40d0c97ab/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3250_sRGB_web.jpg" /&#62;

&#60;img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/cbc62664caa99b12eff268df7e88666468326636e9dc5fdac72af4f1a4388ed1/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3251_sRGB_web.jpg" data-mid="252770888" border="0"  src="https://freight.cargo.site/w/1000/i/cbc62664caa99b12eff268df7e88666468326636e9dc5fdac72af4f1a4388ed1/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3251_sRGB_web.jpg" /&#62;Christine Kirubi, The Recording, Slade School of Fine Art, UCL, Gower Street, WC1E 6BT, 19.05.2018, Raven Row, 56 Artillery Lane, E1 7LS, 20.12.2026, Institut Funder Bakke, Æbeløvej 20, 8600 Silkeborg, 19.9.2026, 2026, Vaseline.

&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/e5fdd01a73b5c5fbc7d4bd4f4187e702c35838523dd3725117a1df4b9036dc92/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3149_sRGB_web.jpg" data-mid="252770824" border="0"  src="https://freight.cargo.site/w/1000/i/e5fdd01a73b5c5fbc7d4bd4f4187e702c35838523dd3725117a1df4b9036dc92/Sense-And-Sensibility_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3149_sRGB_web.jpg" /&#62;


The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation - Loise-Hansen Fonden- Silkeborg Municipality&#38;nbsp;


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


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	</item>
		
		
	<item>
		<title>Charles Boyer in Comme des Garçons Spring/Summer 2000 (A Hole In The Wall)</title>
				
		<link>https://institutfunderbakke.com/Charles-Boyer-in-Comme-des-Garcons-Spring-Summer-2000-A-Hole-In-The</link>

		<pubDate>Wed, 19 Aug 2026 09:44:24 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Charles-Boyer-in-Comme-des-Garcons-Spring-Summer-2000-A-Hole-In-The</guid>

		<description>
	
	
It is an enormous pleasure for IFB to invite you to a solo show by the American artist &#38;nbsp;Nicolas G Miller in our new Public Show room - “A hole in the wall*.Please Join us}}}&#38;nbsp;

&#38;nbsp;Charles Boyer in Comme des Garçons Spring/Summer 2000

Nicolas G Miller
September 19 2026
 

&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/973f3cc4198c70008c5804f379495e9e76b4b532fab7a01714e831b06ca3d73c/Charles-Boyer-in-Comme-des-Garcons-SpringSummer-2000_Nicolas-G-Miller_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3173_sRGB_web.jpg" data-mid="252771196" border="0"  src="https://freight.cargo.site/w/1000/i/973f3cc4198c70008c5804f379495e9e76b4b532fab7a01714e831b06ca3d73c/Charles-Boyer-in-Comme-des-Garcons-SpringSummer-2000_Nicolas-G-Miller_Institut-Funder-Bakke_2026_photo-Jacob-Friis-Holm-Nielsen_JFH3173_sRGB_web.jpg" /&#62;

&#60;img width="576" height="1024" width_o="576" height_o="1024" data-src="https://freight.cargo.site/t/original/i/7f6fb21dacbaa8ba6a9088356cebafd9ce71457c5657abd01ecce588dc4453ab/WhatsApp-Image-2026-08-19-at-01.09.28.jpeg" data-mid="251382810" border="0"  src="https://freight.cargo.site/w/576/i/7f6fb21dacbaa8ba6a9088356cebafd9ce71457c5657abd01ecce588dc4453ab/WhatsApp-Image-2026-08-19-at-01.09.28.jpeg" /&#62;


The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation - Loise-Hansen Fonden- Silkeborg Municipality&#38;nbsp;


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


</description>
		
	</item>
		
		
	<item>
		<title>Phoenix Compensatory Rest Centre</title>
				
		<link>https://institutfunderbakke.com/Phoenix-Compensatory-Rest-Centre</link>

		<pubDate>Sat, 04 Apr 2026 09:23:18 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Phoenix-Compensatory-Rest-Centre</guid>

		<description>
	
	
It is an enormous pleasure for IFB to invite you to a solo show by the phenomenal British artist&#38;nbsp; Bod Mellor.Please Join us}}}&#38;nbsp;
&#38;nbsp;
Bod Mellor&#38;nbsp;Phoenix Compensatory Rest CenterApril 11 - June 14 2026
 

Open on weekends&#38;nbsp;
12-4&#38;nbsp;
and by appointments&#38;nbsp; 
&#60;img width="793" height="1121" width_o="793" height_o="1121" data-src="https://freight.cargo.site/t/original/i/3ac1be587904b10f06cc7b2462b5e2202e7702db481c936a8018f2945a888730/Phoenix-poster-Final-.jpg" data-mid="246970702" border="0"  src="https://freight.cargo.site/w/793/i/3ac1be587904b10f06cc7b2462b5e2202e7702db481c936a8018f2945a888730/Phoenix-poster-Final-.jpg" /&#62;
&#38;nbsp;


We were thinking about trying to get away in our Superstar hot pants, watching the detectives… 

PART I

When we got hailed by the policewoman, we got hailed by our own prospective cab. 

“Hey, You There!”

We turned around. 

Oh Shit, we thought, that cab’s going uptown. 

(like the cab, we were in NYC, but unlike the cab, we were going downtown).

So we turned around again. 

But the policewoman was just a taxi cab with a policewoman in it.

She was working on the job for dramatic effect and due to economic factors.

It passed, and we were no more. To her, we were a passing fare; to ourselves regarding her authority and motion, we might have been a part of a larger bust-up.

She proceeded onward. Krishna, the policewoman thinks, 

What do I have to do to get a good ride in this city? 

It’s been a long time … Not since ‘11 when I was putting those Wall Street 99% in handcuffs… 

Stuff’s got tougher since then, my touch’s got stiffer…

Since then, I’ve just been putting them away… 

She thought, feeling her waistband after eight post-shift beers. 

Still without a wife… Still, I’m beside it all…

To distract from her work, she checks her appearance in the rear-view mirror. 

She swerves to avoid like ten teenagers murdering themselves in Yorkshire. She puts her hand in her hair, it comes out gloppy. 

Check herself out in the rear-view green screen. 

PART II

Superstar gets the impression that the supreme being (BOD) or artist, or Bod Mellor, wants to dominate the portly policewoman character in a visual medley (commentary) upon state-issued power and, potentially, a kind of horniness for their visual austerity. 

Superintendent Edwards (Felicity Montagu), Police Constable Mel Draper (Katy Kavanagh) Chief Inspector Garner (Joanna Scanlan), Police Constable Harriet Finch (Katherine Dow Blyton), the list goes on: a Fortnite skin painted en plein air, stretched to encase the four humours (sanguine, choleric, melancholic, and phlegmatic) that come together to make just the one irony: 
Feminised crime-fighting resilience. 

What do female policewomen, the MTV Awards “Sliming” tradition and conceptual painting have in common? They are never the main characters of their own story due to their aesthetic disadvantages, and are often involved in demonstrations of power play (against) gender norms. 

In the world of the exhibition -&#38;nbsp; works are assembled as if on the walls of an escape room that is crime-themed. Generic, kitschy, above all - big time signifying - intended to aid the escapees in their atmospheric experience. 

Mellor does defile their stars and starlets with a semenical substance recalling the green ooze that MTV celebs are covered in.. In each painting, the policewoman is getting wrecked by the painter - they are getting stuff all over their face like messy, naughty sluts. It’s so humiliating when cum is in your hair. 

And it's horrifying when cum remains in your unwashed hair thick with cig smoke from solving crime. These cops are alter egos, furnishing the SAW trap of the cop shop that one must enter in order to police the legality of your own femininity. 

Theoretical painting is rlly hard to do. Mellor’s schizo approach to the various alter egos - embodied painting as a fictional subject is a new one and maybe actually quite a welcome relinquishing of power from the hand of the artist. 

Although, bearing all of that in mind: an ejaculate onto the power-that-be’s face, whether through camouflage patterned twigs, blood boils and meatballs, reeds, slime and ectoplasm, is quite a nice way of expressing affection for someone. Especially when that someone is yourself. End on a nice note.

PART III

I hope that everyone I have invited turns up late. I’m not ready, I’m shooting things off, they stick in the walls, make marks . 


Top of my tower, I have to open the trap door to see down the middle; check the rope ladder where they are swinging pinpricks a long way down. 

Make a cup of tea, check the weather outside, it’s green blankness on the ITV outside. 


They arrive to inspect my inspector’s hut.


My Guests Hello. 


I only invited the women who smelt the most when they crushed my head between their thighs. 


And now when they are up here all together… 


Drinking tea and squash and having milk with beer and all of them farting discreetly at once. 


I’m a bad guest in this girl’s house… They think in their own nefarious way. 

I’m so sick of this. They said, all piling in, continuously, after the advert break. 

One of them trips a trap and the inspector’s hut starts to revolve, the centrifugal force pushes all the leaking would-be policewoman to their gleeful mutual edge. 

The whole thing spinning like Some Guy discovering action painting, duh.&#38;nbsp; 

Text by&#38;nbsp;
Eileen Slightly and Sydney Sweeney - editors of Hollywood Superstar Review&#38;nbsp;


	&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/0d94903d16f657b6e16ec610eef8f1797599558118635fce7058e53a8b66a7d4/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6825_sRGB_web.jpg" data-mid="247614426" border="0"  src="https://freight.cargo.site/w/1000/i/0d94903d16f657b6e16ec610eef8f1797599558118635fce7058e53a8b66a7d4/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6825_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/c21b2c4f31dee69a8d0993e65771d475e5aee1d421fcc1b68cae00efbd14fe76/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6781_sRGB_web.jpg" data-mid="247614394" border="0"  src="https://freight.cargo.site/w/1000/i/c21b2c4f31dee69a8d0993e65771d475e5aee1d421fcc1b68cae00efbd14fe76/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6781_sRGB_web.jpg" /&#62;&#60;img width="2834" height="3543" width_o="2834" height_o="3543" data-src="https://freight.cargo.site/t/original/i/7b1fd96a5de7cf0cd04847805c33f413bd47c93c8491001144e4fb91222ce791/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6781_2_sRGB_web.jpg" data-mid="247614390" border="0"  src="https://freight.cargo.site/w/1000/i/7b1fd96a5de7cf0cd04847805c33f413bd47c93c8491001144e4fb91222ce791/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6781_2_sRGB_web.jpg" /&#62;Police Constable Harriet Finch
(Katherine Dow Blyton), 2024
Oil on canvas
76 x 61 cm


&#60;img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/ea9adbaf161e2c317b29d7fddff2a88fc1e8b1d0cebe61ee2a2c7c7b5d3ebacb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6767_sRGB_web.jpg" data-mid="247614377" border="0"  src="https://freight.cargo.site/w/1000/i/ea9adbaf161e2c317b29d7fddff2a88fc1e8b1d0cebe61ee2a2c7c7b5d3ebacb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6767_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/a5a6899d28ddb241c22efb4dd6645c400ae8258c44bef1b3f204bf0c8442bde9/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6777_sRGB_web.jpg" data-mid="247614389" border="0"  src="https://freight.cargo.site/w/1000/i/a5a6899d28ddb241c22efb4dd6645c400ae8258c44bef1b3f204bf0c8442bde9/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6777_sRGB_web.jpg" /&#62;Superintendant Edwards (Felicity
Montagu), 2024
Oil on canvas
76 x 61 cm

&#60;img width="2834" height="3543" width_o="2834" height_o="3543" data-src="https://freight.cargo.site/t/original/i/e452948a6f40730e69922bba54892406a23dd6eec23d58bc6fc8d18bef9eadb7/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6777_2_sRGB_web.jpg" data-mid="247614386" border="0"  src="https://freight.cargo.site/w/1000/i/e452948a6f40730e69922bba54892406a23dd6eec23d58bc6fc8d18bef9eadb7/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6777_2_sRGB_web.jpg" /&#62;&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/bd2348a247bb8d2ede27c4cc3c5d7daa04644c95124ca4c9c26adc2521643e82/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6842_sRGB_web.jpg" data-mid="247614434" border="0"  src="https://freight.cargo.site/w/1000/i/bd2348a247bb8d2ede27c4cc3c5d7daa04644c95124ca4c9c26adc2521643e82/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6842_sRGB_web.jpg" /&#62;&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/67454a0c4065105354d8482bd441647ac6c882b563cc0f73070a457497ad2944/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6827_sRGB_web.jpg" data-mid="247614430" border="0"  src="https://freight.cargo.site/w/1000/i/67454a0c4065105354d8482bd441647ac6c882b563cc0f73070a457497ad2944/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6827_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/78e957696da6d7cbb1bacdf6f0c2758f27de25ab8deafeec35eed268104f5361/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6785_sRGB_web.jpg" data-mid="247614403" border="0"  src="https://freight.cargo.site/w/1000/i/78e957696da6d7cbb1bacdf6f0c2758f27de25ab8deafeec35eed268104f5361/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6785_sRGB_web.jpg" /&#62;Police Community Support Officer Dom
(Gbemisola Ikumelo), 2024
Oil on canvas
76 x 61 cm


&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/f48c59bd4564be69de1a0a0280cf1765d697e79904e8db3f3a5a3ce27b9594bf/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6769_sRGB_web.jpg" data-mid="247614381" border="0"  src="https://freight.cargo.site/w/1000/i/f48c59bd4564be69de1a0a0280cf1765d697e79904e8db3f3a5a3ce27b9594bf/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6769_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/8222c384493d2e35cebc0eb27e2d57a749b3d2cdcecead90b2c542a1784b8bbb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6784_sRGB_web.jpg" data-mid="247614398" border="0"  src="https://freight.cargo.site/w/1000/i/8222c384493d2e35cebc0eb27e2d57a749b3d2cdcecead90b2c542a1784b8bbb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6784_sRGB_web.jpg" /&#62;Police Constable Mel Draper (Katy
Kavanagh), 2024
Oil on canvas
76 x 61 cm


&#60;img width="2834" height="3543" width_o="2834" height_o="3543" data-src="https://freight.cargo.site/t/original/i/1279aab44bded9fe72f2fe5493a8c7ef0cbe653db400f1a5798faf71ed4172eb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6784_2_sRGB_web.jpg" data-mid="247614397" border="0"  src="https://freight.cargo.site/w/1000/i/1279aab44bded9fe72f2fe5493a8c7ef0cbe653db400f1a5798faf71ed4172eb/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6784_2_sRGB_web.jpg" /&#62;&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/80a8887975bd12080a7891f1cf9ee4370f895d35952c453e4ff4590923462083/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6838_sRGB_web.jpg" data-mid="247614433" border="0"  src="https://freight.cargo.site/w/1000/i/80a8887975bd12080a7891f1cf9ee4370f895d35952c453e4ff4590923462083/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6838_sRGB_web.jpg" /&#62;&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/0b751234703693061f1730a5f4ff87e5899d2a23e624af35a1cc904eca98cfb7/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6748_sRGB_web.jpg" data-mid="247614368" border="0"  src="https://freight.cargo.site/w/1000/i/0b751234703693061f1730a5f4ff87e5899d2a23e624af35a1cc904eca98cfb7/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6748_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/4857eb09c3bb966e5cf5010cf7520d98ddfce09116db79269d561597561a41ae/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6789_sRGB_web.jpg" data-mid="247614410" border="0"  src="https://freight.cargo.site/w/1000/i/4857eb09c3bb966e5cf5010cf7520d98ddfce09116db79269d561597561a41ae/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6789_sRGB_web.jpg" /&#62;Police Constable Grace Ellis (Siân
Brooke), 2024
Oil on canvas
76 x 61 cm


&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/c34e5d2b57741fb794e46b023f566e2912af96b7a5fa1a540bec47462663d0e0/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6788_sRGB_web.jpg" data-mid="247614406" border="0"  src="https://freight.cargo.site/w/1000/i/c34e5d2b57741fb794e46b023f566e2912af96b7a5fa1a540bec47462663d0e0/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6788_sRGB_web.jpg" /&#62;Chief Inspector Garner (Joanna
Scanlan), 2024
Oil on canvas
76 x 61 cm


&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/c926e1fa237eada8df24016a90154d3ad772257f4ca14828452e5088f387122e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6761_sRGB_web.jpg" data-mid="247614372" border="0"  src="https://freight.cargo.site/w/1000/i/c926e1fa237eada8df24016a90154d3ad772257f4ca14828452e5088f387122e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6761_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/5d27c928148e6e0a18ba6fda38f2b2a25671f30490b2061b2df6ada056a78f2e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6794_sRGB_web.jpg" data-mid="247614419" border="0"  src="https://freight.cargo.site/w/1000/i/5d27c928148e6e0a18ba6fda38f2b2a25671f30490b2061b2df6ada056a78f2e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6794_sRGB_web.jpg" /&#62;Police Constable Marks (Balvinder
Sopal), 2024
Oil on canvas
76 x 61 cm

&#60;img width="3543" height="2365" width_o="3543" height_o="2365" data-src="https://freight.cargo.site/t/original/i/b7c80cd04622a2991d035c183e26087e32c6dfc260c19cc4feea229b23ec6a16/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6753_sRGB_web.jpg" data-mid="247614370" border="0"  src="https://freight.cargo.site/w/1000/i/b7c80cd04622a2991d035c183e26087e32c6dfc260c19cc4feea229b23ec6a16/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6753_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/8a357c2a297a6bf7b363b662740bb45a105426d0426608782f94a2039a0dc93e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6794_2_sRGB_web.jpg" data-mid="247614417" border="0"  src="https://freight.cargo.site/w/1000/i/8a357c2a297a6bf7b363b662740bb45a105426d0426608782f94a2039a0dc93e/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6794_2_sRGB_web.jpg" /&#62;&#60;img width="2834" height="3543" width_o="2834" height_o="3543" data-src="https://freight.cargo.site/t/original/i/9b698c2aa8896cfef3a0b9a6b1e3797a0e65471928382d40d9971b89646f3529/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6792_sRGB_web.jpg" data-mid="247614414" border="0"  src="https://freight.cargo.site/w/1000/i/9b698c2aa8896cfef3a0b9a6b1e3797a0e65471928382d40d9971b89646f3529/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6792_sRGB_web.jpg" /&#62;&#60;img width="2835" height="3543" width_o="2835" height_o="3543" data-src="https://freight.cargo.site/t/original/i/24dedc7ced28d4a28ac9c7e31a64a947cfb90bff52b77a7c55b10e478161e32c/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6792_2_sRGB_web.jpg" data-mid="247614412" border="0"  src="https://freight.cargo.site/w/1000/i/24dedc7ced28d4a28ac9c7e31a64a947cfb90bff52b77a7c55b10e478161e32c/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6792_2_sRGB_web.jpg" /&#62;Police Sergeant Ruby Jones (Sherise
Blackman), 2024
Oil on canvas
76 x 61 cm

&#60;img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/63e374862ac703bb6fb738bcd92ae7c00db13fc7d0a3aed701a6550ea4aea5bd/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6815_sRGB_web.jpg" data-mid="247614422" border="0"  src="https://freight.cargo.site/w/1000/i/63e374862ac703bb6fb738bcd92ae7c00db13fc7d0a3aed701a6550ea4aea5bd/Bod-Mellor_Phoenix-Compensatory-Rest-Center_Institut-Funder-Bakker_2026_photo-Jacob-Friis-Holm-Nielsen_JFH6815_sRGB_web.jpg" /&#62;
Photos by Jacob Friis-Holm NielsenThank you Isabella Bortolozzi and Hollywood Superstar Review


The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation - Loise-Hansen Fonden- Silkeborg Municipality&#38;nbsp;


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


</description>
		
	</item>
		
		
	<item>
		<title>Animal Farm</title>
				
		<link>https://institutfunderbakke.com/Animal-Farm</link>

		<pubDate>Tue, 26 Aug 2025 19:50:49 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Animal-Farm</guid>

		<description>
	
Animal FarmAn Exhibition about Animals and Totalitarianism

Kobby Adi - Hamishi Farah - Jens Haaning - Sidsel Meineche Hansen - Olivia Holm-Møller - Tobias Just - Tony Just - Emma Kallan - Louise Lawler - Reba Maybury - Lucy McKenzie - Erik Nyholm - Josephine Pryde - Andreas Rønholt Schmidt

September &#38;nbsp;13 - November &#38;nbsp;23 &#38;nbsp;2025
Open on weekends 12 - 4 pmand by appointment


ANIMAL

[an-uh-muhl]

Noun

ANIMAL FARM

any member of the kingdom Animalia, comprising multicellular organisms that have a well-defined shape and usually limited growth, can move voluntarily, actively acquire food and digest it internally, and have sensory and nervous systems that allow them to respond rapidly to stimuli: some classification schemes also include protozoa and certain other single-celled eukaryotes that have motility and animallike nutritional modes.any such living thing other than a human being.a mammal, as opposed to a fish, bird, etc.the physical, sensual, or carnal nature of human beings; animality.the animal in every person.an inhuman person; brutish or beastlike person.She married an animal.

Synonyms:monster/ thing.A perfect job? Is there any such animal? Adjectiveof, relating to, or derived from animals.animal instincts; animal fats.pertaining to the physical, sensual, or carnal nature of humans, rather than their spiritual or intellectual nature.animal needs.Synonyms: brutal, beastly, physical, fleshly

TOTALITARIANISM

[toh-tal-i-tair-ee-uh-niz-uhm]

nounthe practices and principles of a totalitarian regime.absolute control by the state or a governing branch of a highly centralized institution.the character or quality of an autocratic or authoritarian individual, group, or government.the totalitarianism of the father.

Source - www.dictionary.com

	
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/e52ddd96e877bc83a661e6b5a83ea58735097c1ea522a4d0598f8dfa5ab675cb/05_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104150" border="0"  src="https://freight.cargo.site/w/1000/i/e52ddd96e877bc83a661e6b5a83ea58735097c1ea522a4d0598f8dfa5ab675cb/05_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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Hamishi Farah Untitled, (2016), Acrylic on linen 
(Thank you Michele Davis)


&#60;img width="1639" height="2048" width_o="1639" height_o="2048" data-src="https://freight.cargo.site/t/original/i/efb8e3393ba9e48f6f3405c1643ae2f6cede3c7b87ad80145e73369479fdef2f/12_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104157" border="0"  src="https://freight.cargo.site/w/1000/i/efb8e3393ba9e48f6f3405c1643ae2f6cede3c7b87ad80145e73369479fdef2f/12_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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&#60;img width="1639" height="2048" width_o="1639" height_o="2048" data-src="https://freight.cargo.site/t/original/i/f358d7e589838c4cf59a5795050e670d3fed85680776d25b3868789115eacfab/11_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104156" border="0"  src="https://freight.cargo.site/w/1000/i/f358d7e589838c4cf59a5795050e670d3fed85680776d25b3868789115eacfab/11_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;
Lucy McKenzie Kingo in “Ruby” Housecoat (2011), Coloured pencil and graphite on paper, 29.7 × 21 cm. Courtesy of the artist


&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/067cf53c27ae0bcf96df8d0fe0a77e9a227c52ba8ea2ef12096ddebecad8e731/14_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104159" border="0"  src="https://freight.cargo.site/w/1000/i/067cf53c27ae0bcf96df8d0fe0a77e9a227c52ba8ea2ef12096ddebecad8e731/14_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;
Kobby Adi, Instrument (2023-24) Bimetal thermometer measuring the temperature of the space, and indicating the average internal temperature of a sheep (38.3 - 39.9 °C), Courtesy the Artist and Cabinet, London


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/22aebffd6c6b96a2f24e1885f3c37492fd02a1061c7c4d09dafff0a4b6069ebd/10_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104155" border="0"  src="https://freight.cargo.site/w/1000/i/22aebffd6c6b96a2f24e1885f3c37492fd02a1061c7c4d09dafff0a4b6069ebd/10_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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Olivia Holm-Møller Hest (1948-51) Etching , Print 130mm&#38;nbsp; x 134mm (Thank you Sigrid Ninel Kledal)


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Sidsel Meineche Hansen Anti- (piggy bank), 2017, Bronze, courtesy of Christian Andersen, Copenhagen


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Tobias Just Untitled (2024) pencil, acrylic and paper on linen. 40x40cm


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/bad452f839458c0dce33e444adad479b08b78f7126f5102c2a17827594f4c879/19_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104164" border="0"  src="https://freight.cargo.site/w/1000/i/bad452f839458c0dce33e444adad479b08b78f7126f5102c2a17827594f4c879/19_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;
Emma Kallan Jeff (2024) Oil on canvas


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/cab193d5496803076973ca63a4dc1c0816fc4339f7fb41c51b2693b5b1a0d0cf/21_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104166" border="0"  src="https://freight.cargo.site/w/1000/i/cab193d5496803076973ca63a4dc1c0816fc4339f7fb41c51b2693b5b1a0d0cf/21_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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Josephine Pryde Cabinets (12) (2019 - 2024) 
Silver gelatine print 38.7 x 26.6 cm


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/10d02bdd3f81e16ffb1cea681b5d56bc95d9112e77f8ccd6e8513325a754437a/22_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104167" border="0"  src="https://freight.cargo.site/w/1000/i/10d02bdd3f81e16ffb1cea681b5d56bc95d9112e77f8ccd6e8513325a754437a/22_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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Jens Haaning Albanian Pigeons, (2008), four cardboard boxes with pigeon excrement. Courtesy of Faurschou.


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/0b05d28e8716205d157772a558e605cade07c3b02acb7c0476c9d20ee92deb10/24_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" data-mid="239104169" border="0"  src="https://freight.cargo.site/w/1000/i/0b05d28e8716205d157772a558e605cade07c3b02acb7c0476c9d20ee92deb10/24_Institut-Funder-Bakke-Group-Group-Animal-Farm_jpg_photo-by-Brian-Kure.jpg" /&#62;

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Reba Maybury The Goddess and The Worm, (2015-25) Four blue biro drawings on A5 paper. Courtesy of the artist.


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Tony Just Albert (2025) Pastel on graphite paper. 


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Louise Lawler BIRDCALLS (1972–81), Audio, 7:01 min. LeWitt Collection, Chester, Connecticut

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Erik Nyholm Blue Dog, (date unknown) ceramic. (Thank you Peter A.G)


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Andreas Rønholt Schmidt -Lamp post Mi-To, (2025) wood, two ashtrays, plastic, lightbulb.


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The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation -15. June Foundation - Knud Højgaards Fond - Silkeborg Municipality 


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


</description>
		
	</item>
		
		
	<item>
		<title>Drawings from Airport Love Theme</title>
				
		<link>https://institutfunderbakke.com/Drawings-from-Airport-Love-Theme</link>

		<pubDate>Wed, 23 Apr 2025 06:50:26 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Drawings-from-Airport-Love-Theme</guid>

		<description>
	

Drawings from Airport Love Theme
Hamishi Farah 
April 26 - June 29 2025

Open on weekends 12 - 4 pmand by appointment


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‘Drawings from Airport Love Theme’ presents 116 hand drawn pages from a graphic
novel alongside a painting.

						
Airport Love Theme was published in 2020 by Book Works London, based on Farah’s
experience in 2016 being held and interrogated in a detention facility at Los Angeles
International Airport (LAX) after attempting to travel into the US from Australia for an art
fair in New York.

						
Sometimes absurd, sometimes banal exchanges involving power, delusion, desire,
projection, celebrity, antagonism, food, and family plays out between an ensemble of
two groups: detainees travelling from mostly Postcolonial states and a unit of mostly
racialised American border security officers.

						
The painting, Untitled (Bedroom in Arles), 2016, - a stretched copy of a Van Gogh - was
carried through the detention facility at LAX during events detailed in the graphic novel
and was eventually exhibited at NADA Art fair in New York, without Farah’s attendance.

						
This story of policy enforcement occurred in 2016 under an Obama administration.
Upon the book’s publishing in 2020, it underscored a failure to deliver on an
international art world’s promise of mobility fueled by selectively permeable borders.
Accounts of arbitrary detainment and denial of entry have echoed more frequently in
2025 as an outcome of discriminate hardening of spatial boundaries in Europe and the
U.S, along racial and religious lines, punishing dissenting political belief (particularly
Palestinian solidarity) and often utilised for cruel political theatre.

					
Hamishi Farah Born in 1991 in Melbourne, Australia.Recent exhibitions include Undermining the Immediacy, MMK, Frankfurt&#38;nbsp;(2025)&#38;nbsp;Post Scriptum. A museum forgotten by heart, MACRO, Museum of Contemporary Art of Rome, Rome (2024);&#38;nbsp;Black Painting,&#38;nbsp;Maxwell Graham, New York (2023);&#38;nbsp;London, UK,&#38;nbsp;Arcadia Missa, London (2023)&#38;nbsp;Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri Art Kunsthalle Fribourg, Fribourg (2021); Antagoni, Chateau Shatto, Los Angeles (2020)
Farah’s graphic novel Airport Love Theme, based on a true story, was first published by Book Works in the UK in January 2020, second edition in 2023


&#38;nbsp;
The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation - Silkeborg Municipality&#38;nbsp;


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&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/01e97105dc9d8f84e2845ad0d801a378fc3ab598736b449ce5f716e36ef3e2ae/08_Institut-Funder-Bakke-Hamishi-Farah-Airport-Love-Theme_jpg_photo-by-Brian-Kure.jpg" data-mid="233448980" border="0"  src="https://freight.cargo.site/w/1000/i/01e97105dc9d8f84e2845ad0d801a378fc3ab598736b449ce5f716e36ef3e2ae/08_Institut-Funder-Bakke-Hamishi-Farah-Airport-Love-Theme_jpg_photo-by-Brian-Kure.jpg" /&#62;

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&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/811b5b6d2833c7b7941c05aae90ccb85e9985aed121e7f2bcf8ce77d0d0e356c/10_Institut-Funder-Bakke-Hamishi-Farah-Airport-Love-Theme_jpg_photo-by-Brian-Kure.jpg" data-mid="233448982" border="0"  src="https://freight.cargo.site/w/1000/i/811b5b6d2833c7b7941c05aae90ccb85e9985aed121e7f2bcf8ce77d0d0e356c/10_Institut-Funder-Bakke-Hamishi-Farah-Airport-Love-Theme_jpg_photo-by-Brian-Kure.jpg" /&#62;

Drawings: Courtesy of the Artist and Acadia Missa
Photo: Brian Kure


	Institut Funder BakkeÆbeløvej 208600 SilkeborgDenmarkInstitutfunderbakke.comOpen Saturdays and Sundays 12 - 4pm and by appointmentIFB has step-free access.If you have questions please feel free to contact us institutfunderbakke@gmail.com


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	<item>
		<title>We haven't opened yet, but we are working on it and we are doing our best to meet your expectations…</title>
				
		<link>https://institutfunderbakke.com/We-haven-t-opened-yet-but-we-are-working-on-it-and-we-are-doing-our</link>

		<pubDate>Thu, 16 Jan 2025 18:42:56 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/We-haven-t-opened-yet-but-we-are-working-on-it-and-we-are-doing-our</guid>

		<description>
	
We haven't opened yet, but we are working on it and we are doing our best to meet your expectations…

BANK, Nina Beier, Jack Goldstein, Louise Lawler, Cameron Rowland, Sung Tieu, and Danh Vo. 

Opening February 1st 

4pm - 7pm 

Curated By Jacob Fabricius&#38;nbsp;
We haven't opened yet, but we are working on it and we are doing our best to meet your expectations… is an exhibition about Public Relations also known as the art of announcing and describing an event that hasn’t yet happened.
The invention of PR is often attributed to the American fortune teller and behavior puppeteer Edward Bernays. As a slight bonus to the apparent complexities involved, Bernays also happened to be the nephew of the Austrian progenitor of psychoanalysis Sigmund Freund. 

As applicable as this investigation may be to many paths of this world,&#38;nbsp; the exhibition We haven't opened yet, but we are working on it and we are doing our best to meet your expectations… zones in on the expectations that may or may not have been built up around an exhibition's opening reception.How can press releases, invitation cards, photographs, documentation or social media build up the expectation and narrative before an exhibition has opened? Will the opening influence the success of the show? The dynamics of the anticipation surrounding the act of an opening are hinted at and examined here at Institut Funder Bakke.  
We haven't opened yet, but we are working on it and we are doing our best to meet your expectations… addresses the complexities surrounding the shaping of an exhibition, focusing on where it truly begins—is there a pre-opening moment? And if so, where is that moment?—not just with the opening, but in the curatorial decisions made beforehand. Through titles, graphic design, social media, locations and spatial details artists and curators build up narratives about works or exhibitions.We haven't opened yet, but we are working on it and we are doing our best to meet your expectations… relates to the exhibition Setting the Tone of the Exhibition – The Anatomy of Exhibition Openings at Malmö Konstmuseum and examines how small curatorial gestures shape the initial experience. 
(keywords):

Expectations, feedback, waiting, contracts, playfulness, pre opening, incomplete, finished, unfinished, and invitation.The greatest joy is the joy of anticipation

The show is kindly supported by:The Danish Arts Foundation - The Augustinus Foundation - June 15 Foundation - Aarhus University - Silkeborg Municipality - Novo Nordisk Foundation.
	
&#60;img width="2121" height="3000" width_o="2121" height_o="3000" data-src="https://freight.cargo.site/t/original/i/51c666dde0639e8dde8f2d1267393fa4d7250a5756f33153a2d1e28fe74b9742/poster2.jpg" data-mid="225740551" border="0"  src="https://freight.cargo.site/w/1000/i/51c666dde0639e8dde8f2d1267393fa4d7250a5756f33153a2d1e28fe74b9742/poster2.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c4ada5bae7e1a6c1815b364f8f4700b8656fc15b7b9cfc74fdad29e829cfa032/01_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775703" border="0"  src="https://freight.cargo.site/w/1000/i/c4ada5bae7e1a6c1815b364f8f4700b8656fc15b7b9cfc74fdad29e829cfa032/01_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Jack Goldstein
Metro Goldwyn-Mayer, 1975 
Single channel video, 7 seconds 

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5b63a54746333057db615ff3db295a0a171a99e29cf9aa47d6a8435d7adb03a4/02_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775704" border="0"  src="https://freight.cargo.site/w/1000/i/5b63a54746333057db615ff3db295a0a171a99e29cf9aa47d6a8435d7adb03a4/02_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Nina Beier
Untitled, 2009-2025


Danh VõBrooms 2015
3 hand made Thai brooms, two large and one small. The thread binding of each large broom can vary in col

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/9b297f029468ef7a4d923c8cf28531d440df16e07614312158bea159e40c55bc/03_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775705" border="0"  src="https://freight.cargo.site/w/1000/i/9b297f029468ef7a4d923c8cf28531d440df16e07614312158bea159e40c55bc/03_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;

Istallation view

Left - right&#38;nbsp;

Nina BeierUntitled, 2009-2025


Danh VõBrooms 20153 hand made Thai brooms, one large and one small. The thread binding of each large broom can vary in color

Sung TieuUntitled, the benchmark - steel chair, 2024Steel, 47 x Ø 36 cm
Bread, 2024various breads, dimensions variableLoaves of bread injected with 7 cl Alcohol

Cameron RowlandU20E, 2013Steel with standard finish18.5 x 1.875 x 2.5 inches (46.99 x 4.76 x 6.35 cm)

Danh Võ
Birthday Cake Invitation, Danish Pavillion Venice, 2015Paper, fabric, candle

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/4edae16bccbf744daabd6069805b3f39fb4051cf77213cf4e555db5a7d42925c/09_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775711" border="0"  src="https://freight.cargo.site/w/1000/i/4edae16bccbf744daabd6069805b3f39fb4051cf77213cf4e555db5a7d42925c/09_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Sung Tieu
Untitled, the benchmark - steel chair, 2024
Steel, 47 x Ø 36 cm

Bread, 2024
various breads, dimensions variable
Loaves of bread injected with 7 cl Alcohol


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/94ee300bd2fe14938cf7436208e8dc07b64d25ef91a8ce66fd50fb359356e849/07_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775709" border="0"  src="https://freight.cargo.site/w/1000/i/94ee300bd2fe14938cf7436208e8dc07b64d25ef91a8ce66fd50fb359356e849/07_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Installation View

Left - Right

Louise Lawler
Alizarin (Terrorists are made, not born), Postcard, 2024
Installed in any direction

Sung Tieu
Bread, 2024
various breads, dimensions variable
Loaves of bread injected with 7 cl Alcohol
Danh Võ
Birthday Cake Invitation, 
Danish Pavillion Venice, 2015

BANK
Excerpts from 
THE BANK FAX-BAK SERVICE (Helping You Help Yourself) 1998 - 1999


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/a171f2d2a0e6cee0c10f2f490d9c2661f81aa91781158b112adad7332a77b981/06_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775708" border="0"  src="https://freight.cargo.site/w/1000/i/a171f2d2a0e6cee0c10f2f490d9c2661f81aa91781158b112adad7332a77b981/06_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;

Danh VõBirthday Cake Invitation, Danish Pavillion Venice, 2015Paper, fabric, candle21,51 x 15 x 2,3 cm [HxWxD] (8 15⁄32" x 5&#38;nbsp;29⁄32" x&#38;nbsp;29⁄32")


&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/7534b46f3b62ea4ebf82a2cfc5ff0c05b8daa7bc2531c0475c5193e13e4e2a89/08_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775710" border="0"  src="https://freight.cargo.site/w/1000/i/7534b46f3b62ea4ebf82a2cfc5ff0c05b8daa7bc2531c0475c5193e13e4e2a89/08_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
BANKExcerpts from THE BANK FAX-BAK SERVICE (Helping You Help Yourself) 1998 - 1999

Between 1998 and 1999, the London-based art collective BANK operated The BANK Fax-Bak Service. For the project, the group’s members, Simon Bedwell, John Russell and Milly Thompson proof-read and copy-edited more than 300 press releases published by galleries in London and New York. The procedure was simple: after adding their mocking corrections, the artists faxed the promotional texts back to the respective galleries. The BANK Fax-Bak Service exposes the art market’s (ongoing) sisyphean effort to legitimize itself through boasting, self-important and nonsensical language. 


&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/80287a1a40ee2640139aacbfd65d68bdce153fe7d922e699de6a174cfeb1b833/10_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775712" border="0"  src="https://freight.cargo.site/w/1000/i/80287a1a40ee2640139aacbfd65d68bdce153fe7d922e699de6a174cfeb1b833/10_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Installation view

Danh Võ
Various invitation cards and advertisments in vitrine

Louise Lawler
Alizarin (Terrorists are made, not born), Postcard, 2024Installed in any direction
Sung Tieu
Bread, 2024various breads, dimensions variableLoaves of bread injected with 7 cl Alcohol

Untitled, the benchmark - steel chair, 2024Steel, 47 x Ø 36 cm
BANKExcerpts from THE BANK FAX-BAK SERVICE (Helping You Help Yourself) 1998 - 1999

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/e47413652c3537f60e003dc069df32627f2215e2e3861744afb8bc9c77684aba/11_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775713" border="0"  src="https://freight.cargo.site/w/1000/i/e47413652c3537f60e003dc069df32627f2215e2e3861744afb8bc9c77684aba/11_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Danh Võ
Various invitation cards and advertisments in vitrine


&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/0b5d462f5d52650aa9dd0c234cff0daf96d333008eb355483cee43cc9fa6ae00/04_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775706" border="0"  src="https://freight.cargo.site/w/1000/i/0b5d462f5d52650aa9dd0c234cff0daf96d333008eb355483cee43cc9fa6ae00/04_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1f64e83018347e4cfd1d3f2a68eeafbe74272a71d30a2a62e84acc426e36822d/05_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775707" border="0"  src="https://freight.cargo.site/w/1000/i/1f64e83018347e4cfd1d3f2a68eeafbe74272a71d30a2a62e84acc426e36822d/05_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Cameron RowlandU20E, 2013Steel with standard finish18.5 x 1.875 x 2.5 inches (46.99 x 4.76 x 6.35 cm)

Corporate franchised stores have shelving equipment manufactured for their needs. When this franchise moves or upgrades, their equipment is then sold to a resale warehouse which in turn resells the equipment to a smaller store, selling and buying back from them many times over different components of that shelving system. U20E is an extension device, meant to modify an already existing shelving unit. It had been painted black by a previous owner, to have proxy matched the rest of its components.


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8290fe577602073f305468241fc70e4bc6e65781d66f95c6c504c059c1e8acb2/12_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" data-mid="226775714" border="0"  src="https://freight.cargo.site/w/1000/i/8290fe577602073f305468241fc70e4bc6e65781d66f95c6c504c059c1e8acb2/12_Institut-Funder-Bakke-Group-We-havent-opened-yet_jpg_photo-by-Brian-Kure.jpg" /&#62;
Danh Võ
Various invitation cards and advertisments in vitrine


	Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


</description>
		
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	<item>
		<title>Women in Love</title>
				
		<link>https://institutfunderbakke.com/Women-in-Love</link>

		<pubDate>Tue, 13 Aug 2024 14:29:06 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Women-in-Love</guid>

		<description>
	Women In Love

Atelier E.B - Beryl Cook - Lucille Groos&#38;nbsp; 
Leigh Ledare -&#38;nbsp;Lucy McKenzie&#38;nbsp; 
Elliott Jamal Robbins and Aura Rosenberg
August 31st - November 10th &#38;nbsp;2024

&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/0b1f874b32121818681e9af4c1bf3fd6a9f2ef7aeceace00db523de4b1406b6a/Women_in_love_website.jpg" data-mid="216337545" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/0b1f874b32121818681e9af4c1bf3fd6a9f2ef7aeceace00db523de4b1406b6a/Women_in_love_website.jpg" /&#62;
Image - a dogging map of Denmark taken from www.dogging.dk

Women In Love

In a recently unearthed video from July 2006, George Michael took the decision to speak to the press about paparazzi photos published of him leaving a cruising area in Hampstead Heath in the early hours of the morning. Naturally, the tabloid discourse that surrounded these images came from a place of acrid homophobia that this sort of media so loves. In this unedited video, Michael is passionate, radically clear and composes himself with a level of articulation that pierces any potential thatthe interviewer may have as collateral.

He is furious that lies about his own relationship are being printed and at one moment he says that it is heterosexual women who are the worst when it comes to judging his non monogamous relationship; in fact straight men, much like gay men, understand this act of cruising whether they admit this or not. Women are jealous and therefore as a side effect they spurt homophobia.

But - what if this accusation of homophobia is in fact misguided and comes from a place which Michael is seemingly blind to - that sexual adventure is an arena for men to enjoy and explore and this freedom is not available for women. For women, as Michael so aptly explains (as straight culture), just going to a bar comes with the risk of being drugged where cruising is a non violent space. Cruising gives Michael joy.

In another TV interview from 2019, Emiliy Maitlis interviews The Duke of York about his friendship with serial paedophile and sex trafficker Jeffrey Epstein. At one moment when Maitlis questions His Royal Highness about the accusations against him by Virginia Giuffre, who at the time was seventeen years old, that she had been trafficked to have sex with The Duke of York, an adult male, multiple times in various countries, his response is odd.

He explains in dry, strange, almost textbook psychological terms that for men having sex is considered a positive action and positive actions are things that are remembered.

To be precise - his words were:

If you are a man it is a positive act to have sex with somebody (sic) if you try to forget it's very difficult to try and forget positive action and I do not remember anything.

A very interesting allegory for rape.

Popular notions of female sexual pleasure live in consumerist worlds of the worthy, holistic, manageably subversive and even worse- the spiritual. Vegan leather whips, organic lubricants and pastel pink dildos are seen as friendly ways for women and queers to be sexual. I want more than this.

Sex for us does not have to be sanctimonious - perhaps masturbation is the only wild place for us and I am a woman in love with it.

Reba Maybury, 2024.


References:

George Michael Heated Interview on Cruising, Homophobia, and the Press (2006)https://www.youtube.com/watch?v=wVJPY3dpA38&#38;amp;t=427s

Prince Andrew &#38;amp; the Epstein Scandal: The Newsnight Interview - BBC News&#38;nbsp;https://www.youtube.com/watch?v=QtBS8COhhhM&#38;amp;t=1944s


With thanks to the New Carlsberg Foundation, Danish Arts Council, Municipality of Silkeborg, Augustinus Foundatio, 15 June Foundation and the William Demant Foundation.


DA:
 Women In Love
Forelskede Kvinder

I en for nyligt offentliggjort video fra juli 2006, besluttede George Michael sig for at tale til pressen omkring publiceringen af en række paparazzi billeder af ham, der tidlig morgen forlader et krydstogtsted [cruising area] i Hampstead Heath. Den tabloide diskurs, der omgav billederne, havde naturligvis rødder i en stærk form for homofobi, som denne medietype elsker så højt. I den uredigerede video er Michael passioneret, fuldstændig klar og formulerer sig på et niveau, der bryder igennem potentialet for enhver form for kritik, intervieweren måtte sidde inde med.

Han er rasende over, at løgne omkring hans eget forhold bliver trykt og på et tidspunkt siger han, at det er heteroseksuelle kvinder, der er de værste, når det kommer til at dømme hans ikke-monogame forhold; faktisk forstår heteroseksuelle mænd, meget ligesom homoseksuelle mænd, denne form for cruising uanset om de står ved det eller ej. Kvinder er jaloux og derfor, som en sideeffekt, spyr de med homofobi.

Men - hvad hvis denne beskyldning om homofobi faktisk er fejlagtig og kommer fra et sted, Michael tilsyneladende er blind for - at seksuelle eventyr er en arena for mænd at nyde og udforske og at denne frihed ikke er tilgængelig for kvinder. For, som Michael så passende forklarer (som heteroseksuel kultur), hos kvinder indeholder blot det at tage på bar risikoen for at blive udsat for drugging, hvor cruising er et ikke-voldeligt sted. Cruising er en glæde for Michael.

I et andet TV interview fra 2019 interviewer Emily Maitlis hertugen af York omkring hans venskab til den serielt pædofile og sexhandlende Jeffrey Epstein. På et tidspunkt, hvor Maitlis spørger Hans Kongelig Højhed om anklagerne rejst af Virginia Giuffre, som på daværende tidspunkt var sytten år, om, at hun var blevet solgt til at have sex med hertugen af York, en voksen mand, flere gange i forskellige lande, er hans svar sært.

I tørre, besynderlige, nærmest psykologiske lærebogs vendinger forklarer han, at det for mænd betragtes som en positiv handling at have sex og positive handlinger er ting, der huskes.

For at være helt præcis lød hans ord:

Hvis du er en mand, er det en positiv handling at have sex med nogen (sic) hvis du prøver at glemme, det er meget svært at prøve og glemme en positiv handling og jeg husker ingenting. 

En meget interessant allegori for voldtægt.

Populære forestillinger om kvindelig seksuel nydelse eksisterer i konsumeristiske verdener af det værdige, det holistiske, det medgørligt subversive og endnu værre - det spirituelle. Veganske læder piske, økologisk glidemidle og lyserøde dildoer anses som venligsindede måder for kvinder og queers at være seksuelle på. Jeg vil have mere end dette.

Sex for os behøves ikke være selvretfærdigt - måske er onani det eneste vilde sted for os, og jeg er en kvinde forelsket i det.

 
Reba Maybury, 2024. 

oversat fra engelsk af : Synnøve Thau-Moltsen


	&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/90e881b6e1bea0c5921b634be32fb7f7030286cfddcc3074094c282eeea2ddec/09_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966357" border="0"  src="https://freight.cargo.site/w/1000/i/90e881b6e1bea0c5921b634be32fb7f7030286cfddcc3074094c282eeea2ddec/09_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/cf4cbfd45e226d45f831286af520a73867beab8dce5af9e07687f091d3ebf857/02_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966350" border="0"  src="https://freight.cargo.site/w/1000/i/cf4cbfd45e226d45f831286af520a73867beab8dce5af9e07687f091d3ebf857/02_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9baee77942223c8e98eac5d203de0d0f5a971e76cd335abb18cee438212c30cb/06_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966354" border="0"  src="https://freight.cargo.site/w/1000/i/9baee77942223c8e98eac5d203de0d0f5a971e76cd335abb18cee438212c30cb/06_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;


&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/8e57271de11fc11eb236e31a448e33a53cac2542107870b5f2084e57e3025b76/01_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966349" border="0"  src="https://freight.cargo.site/w/1000/i/8e57271de11fc11eb236e31a448e33a53cac2542107870b5f2084e57e3025b76/01_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/3d4d1643634df94a28978cf3d7ea22f00e47a00184504d2171fc08aff7e1a72e/17_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966366" border="0"  src="https://freight.cargo.site/w/1000/i/3d4d1643634df94a28978cf3d7ea22f00e47a00184504d2171fc08aff7e1a72e/17_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/c84da01e865763eb200a388894b042b4f6ad102dc8f379b7fdb4ca50619d6c5c/14_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966362" border="0"  src="https://freight.cargo.site/w/1000/i/c84da01e865763eb200a388894b042b4f6ad102dc8f379b7fdb4ca50619d6c5c/14_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/baef75a6cd7d31529ec8876f3f0c893a4a05556abea88dfb57f6dde8494937c4/15_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966363" border="0"  src="https://freight.cargo.site/w/1000/i/baef75a6cd7d31529ec8876f3f0c893a4a05556abea88dfb57f6dde8494937c4/15_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/23528383521d9880b410930deb597763560d9573a21db4e564873acd40cb067b/16_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966364" border="0"  src="https://freight.cargo.site/w/1000/i/23528383521d9880b410930deb597763560d9573a21db4e564873acd40cb067b/16_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;
Elliott Jamal Robbins, Horseshit (2022) Graphite, glitter, mod podge, metallic leaf and metal tacks on paper 191⁄4 x 18 in. 49 x 46 cm.
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/a05ea8dd1a06b11499c52fe9510d0730d555ac45c1c5bc700b4634ba4b61c04b/10_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966358" border="0"  src="https://freight.cargo.site/w/1000/i/a05ea8dd1a06b11499c52fe9510d0730d555ac45c1c5bc700b4634ba4b61c04b/10_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/9ca2456eec6d80172a6b9fe82cd53718e1ddfae9275d9d967caf51a8a265a25d/11_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217989177" border="0"  src="https://freight.cargo.site/w/1000/i/9ca2456eec6d80172a6b9fe82cd53718e1ddfae9275d9d967caf51a8a265a25d/11_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;
Beryl Cook, Ladies Night,&#38;nbsp;(date unknown) print. Overall Mount Size 40cms x 40cms, image size 26cm x 26cm

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/28aa649ef70c32a89bd31c78aaa9de604b87797933854d54ea756d6e6f8d7834/12_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966360" border="0"  src="https://freight.cargo.site/w/1000/i/28aa649ef70c32a89bd31c78aaa9de604b87797933854d54ea756d6e6f8d7834/12_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Reba Maybury (with Lucy McKenzie), Quodlibet XXXX by small talk (2024)&#38;nbsp;pencil on paper. 20x30cm

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/cf4cbfd45e226d45f831286af520a73867beab8dce5af9e07687f091d3ebf857/02_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966350" border="0"  src="https://freight.cargo.site/w/1000/i/cf4cbfd45e226d45f831286af520a73867beab8dce5af9e07687f091d3ebf857/02_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1639" height="2048" width_o="1639" height_o="2048" data-src="https://freight.cargo.site/t/original/i/16136c89bf25587aa18ca760b000f84a555d0ba49aa242d41555a747bda1b572/08_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966356" border="0"  src="https://freight.cargo.site/w/1000/i/16136c89bf25587aa18ca760b000f84a555d0ba49aa242d41555a747bda1b572/08_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Leigh Ledare, The Gift&#38;nbsp;(2007) Single channel video, audio 9 minutes, 13 seconds

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9baee77942223c8e98eac5d203de0d0f5a971e76cd335abb18cee438212c30cb/06_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966354" border="0"  src="https://freight.cargo.site/w/1000/i/9baee77942223c8e98eac5d203de0d0f5a971e76cd335abb18cee438212c30cb/06_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/2aeb5f537bfa20c89c23be3e6cb53911ab07287a5b5de125ccaff2849c0d503c/07_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966355" border="0"  src="https://freight.cargo.site/w/1000/i/2aeb5f537bfa20c89c23be3e6cb53911ab07287a5b5de125ccaff2849c0d503c/07_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Atelier E.B (Beca Lipscombe &#38;amp; Lucy McKenzie), Paperweight, (2018) Hand-blown glass paperweight&#38;nbsp;8x8x8cm


&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c3b307109b168bce096c896b1cf1b64d140f4951ddeca6fe961f7b79723c3195/03_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966351" border="0"  src="https://freight.cargo.site/w/1000/i/c3b307109b168bce096c896b1cf1b64d140f4951ddeca6fe961f7b79723c3195/03_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d52e6bba2143aaafcb70b169807723ecb9dfe0a71c7b3410b496a50e67aab77f/04_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966352" border="0"  src="https://freight.cargo.site/w/1000/i/d52e6bba2143aaafcb70b169807723ecb9dfe0a71c7b3410b496a50e67aab77f/04_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Aura Rosenberg, Head Shots (1991-96) (Bottom to Top)&#38;nbsp;
PN, 52x42cm&#38;nbsp;
 MK25, 46.5x36 cm
JB, 52x42cm&#38;nbsp;
TO 2, 46.5x36cm&#38;nbsp;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ae5c8bb0455267dffd4789de0b381848deae5e26cf36b285e114172a7a60aac3/05_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966353" border="0"  src="https://freight.cargo.site/w/1000/i/ae5c8bb0455267dffd4789de0b381848deae5e26cf36b285e114172a7a60aac3/05_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/918ae354f522f43fb4fe1a32624eaeb23fae6e5765bd55a26071b5ca7e3b9c31/21_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966371" border="0"  src="https://freight.cargo.site/w/1000/i/918ae354f522f43fb4fe1a32624eaeb23fae6e5765bd55a26071b5ca7e3b9c31/21_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Lucille Groos, Emotion Rules Alone&#38;nbsp;(2022), HD video and sound, single screen, 8:25 min

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5b9f2bc1b948d5c20b86e67930488cf64c146b87032a908c271cffdf8b3a317d/19_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966369" border="0"  src="https://freight.cargo.site/w/1000/i/5b9f2bc1b948d5c20b86e67930488cf64c146b87032a908c271cffdf8b3a317d/19_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/40c46f7f22a04f77e6e6f2602aefb7d6fadcf67cc5289c81f2d85712af96e273/20_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966370" border="0"  src="https://freight.cargo.site/w/1000/i/40c46f7f22a04f77e6e6f2602aefb7d6fadcf67cc5289c81f2d85712af96e273/20_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Leigh Ledare, Mom on top of Boyfriend, (2003) analogue C print 50x38cm

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/3d4d1643634df94a28978cf3d7ea22f00e47a00184504d2171fc08aff7e1a72e/17_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966366" border="0"  src="https://freight.cargo.site/w/1000/i/3d4d1643634df94a28978cf3d7ea22f00e47a00184504d2171fc08aff7e1a72e/17_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/39b2bab1ce4b7e8cb345d41693f8845606292d0f26f48d52a98861b361d390e1/18_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966367" border="0"  src="https://freight.cargo.site/w/1000/i/39b2bab1ce4b7e8cb345d41693f8845606292d0f26f48d52a98861b361d390e1/18_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Lucy McKenzie, Olympic Dames, (2002) lithograph on paper, folded, in original envelope 79.8x118.9 cm

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/c84da01e865763eb200a388894b042b4f6ad102dc8f379b7fdb4ca50619d6c5c/14_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966362" border="0"  src="https://freight.cargo.site/w/1000/i/c84da01e865763eb200a388894b042b4f6ad102dc8f379b7fdb4ca50619d6c5c/14_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;

&#60;img width="1638" height="2048" width_o="1638" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fe3cf90a981494ee5abbf97307de037e1c67686a214b5b0bb5545a83a60d30b7/13_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" data-mid="217966361" border="0"  src="https://freight.cargo.site/w/1000/i/fe3cf90a981494ee5abbf97307de037e1c67686a214b5b0bb5545a83a60d30b7/13_IFB-Group-Women-in-Love_jpg_photo-by-Brian-Kure.jpg" /&#62;Elliott Jamal Robbins, Untitled (2022) Watercolor on Paper 43.2x35.6 cm.


Photos by Brian Kure

	Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 4pm and by appointment

IFB has step-free access. 
If you have questions please feel free to contact us institutfunderbakke@gmail.com


</description>
		
	</item>
		
		
	<item>
		<title>Livets Midte</title>
				
		<link>https://institutfunderbakke.com/Livets-Midte</link>

		<pubDate>Fri, 28 Jun 2024 15:44:49 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Livets-Midte</guid>

		<description>
	Livets MidteA digital game by 


Aske Zidore

29th June&#38;nbsp; - 16th August &#38;nbsp;2024


&#60;img width="6040" height="3960" width_o="6040" height_o="3960" data-src="https://freight.cargo.site/t/original/i/66d9d8fd704bab2bb654a276d7ac17ffe7bfbde9f02a98c6855188dcf7df9aed/9.jpg" data-mid="213790618" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/66d9d8fd704bab2bb654a276d7ac17ffe7bfbde9f02a98c6855188dcf7df9aed/9.jpg" /&#62;


Livets Midte
A digital game by Aske Zidore

Livets Midte is presented as a playable landscape painting on a digital touchscreen, which evolves interactively with audience participation. According to predetermined rules and systems, the audience can alter elements of the work affecting both visual and sonic aspects such as the direction of the wind, or triggering a lark's song or changing the way light reflects on the water.

The title of the work is derived from a poem by the German Romanticist Friedrich Hölderlin. In this work the poet is placed in a central role as the celebrant of the gods and joy. Similarly, in the 3D environments of Livets Midte, the player is positioned at the center, in first-person view, with the ability to control movements and variations in nature. 

The music is composed for an octet and developed using a systematic approach to notation, where grids serve as the actual music sheets. The musical grids subsequently form the perspective foundation for the landscapes.

The interplay of composition, nature and gaming creates a digital cultivation where the player is engaged as both artist and gardener.

By imitating and manipulating nature through animation, the game simultaneously evokes memories of - the electric erotic purple of Kristian Zahrtmann - the holistic music of La Monte Young as well as the trouble with humanities progress encountered by Flemming Quist Møller’s Snuden!
&#38;nbsp;Livets MidteJune 29th&#38;nbsp; - August 11th 2024
Open Saturdays and Sundays 12 - 4 pm &#38;amp; by appointment Free and open to all

Aske Zidore is a Danish artist, composer, and game designer. In his interdisciplinary practice, he uses modern notions of nature as a canvas for storytelling and critique. Zidore brings these complexities close to daily life by creating simplified and playful realms, through sound, image and game logic inspired composing, to examine the representations and symbols that shape a shared reality. Game mechanics are central to Zidore’s practice, utilised as a way to map fragments of feelings and memories that transcend normalized boundaries of space, body and time. His creations span over works for choir and instruments, as well as installations, games, prints, and 3D animations, all unfolding within non-linear structures guided by intelligent systems and rulebooks.


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 6 pm and by appointment
IFB has step-free access. If you have questions please feel free to contact us institutfunderbakke@gmail.com


The IFB 2024 program is produced with support by:The Danish Arts Foundation - June 15 Fund - The Augustinus Foundation - Knud Højgaards Foundation &#38;nbsp;- The Municipality of Silkeborg - William Demant Foundation.


	&#60;img width="5689" height="3793" width_o="5689" height_o="3793" data-src="https://freight.cargo.site/t/original/i/9c999909f51cf7c640023d2ee94f12aa5d84f4087f87ffb7f64553de663ec537/1.jpg" data-mid="213790615" border="0"  src="https://freight.cargo.site/w/1000/i/9c999909f51cf7c640023d2ee94f12aa5d84f4087f87ffb7f64553de663ec537/1.jpg" /&#62;&#60;img width="6163" height="4109" width_o="6163" height_o="4109" data-src="https://freight.cargo.site/t/original/i/0f772a4d2cfee07ea6cb7210ed503ffb8aeab204314f4136d6d5a82f975f6652/2.jpg" data-mid="213790616" border="0"  src="https://freight.cargo.site/w/1000/i/0f772a4d2cfee07ea6cb7210ed503ffb8aeab204314f4136d6d5a82f975f6652/2.jpg" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/d7cdb72ab88b938d7b9a75a18ba8f24be91cb41040a76104f15427af04838394/3.jpg" data-mid="213790617" border="0"  src="https://freight.cargo.site/w/1000/i/d7cdb72ab88b938d7b9a75a18ba8f24be91cb41040a76104f15427af04838394/3.jpg" /&#62;&#60;img width="5760" height="3841" width_o="5760" height_o="3841" data-src="https://freight.cargo.site/t/original/i/639894511641c5ae80428bc4c3b80b7b8ee23a1ea11594dfd579e2e4f7ea0d15/10.jpg" data-mid="213790619" border="0"  src="https://freight.cargo.site/w/1000/i/639894511641c5ae80428bc4c3b80b7b8ee23a1ea11594dfd579e2e4f7ea0d15/10.jpg" /&#62;


Images Aske Zidore

</description>
		
	</item>
		
		
	<item>
		<title>A Soc in the Eye copy</title>
				
		<link>https://institutfunderbakke.com/A-Soc-in-the-Eye-copy</link>

		<pubDate>Mon, 22 Apr 2024 19:00:44 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/A-Soc-in-the-Eye-copy</guid>

		<description>
	A Sock In The Eye
May 4th &#38;nbsp;- June 16th 2024
Park McArthur - Magda Mostafa
Jordan Whitewood-Neal - Andreas Angelidakis

Opening may 4&#38;nbsp;
4 - 7 p.m.&#38;nbsp;
&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/db4f8e0d5c133e57ead53e89ab0a909c61b0703b5b21f7efab1610c1b8da3ca6/A-soc-in-the-eye-_IG_final.jpg" data-mid="209809019" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/db4f8e0d5c133e57ead53e89ab0a909c61b0703b5b21f7efab1610c1b8da3ca6/A-soc-in-the-eye-_IG_final.jpg" /&#62;

	
	A Sock In The Eye lends its title from the poem I Am Not One of The by the poet, performer and disability activist Cheryl Marie Wade.This show is the second in a two part mini series at IFB showcasing the discourses produced by buildings included in the Danish Conservation Act of 1918. (Fredningsloven) The first one dealt with The Danner House Building (Man In House)

The building in question here is the Charlottenborg castle, erected during the 1670s and home to the Royal Danish Academy of Arts since 1754. The building is included in the Danish Conservation Act and has been since the legislation was passed in 1918. This, as a consequence has made education next to impossible for those with disabilities, as the Danish Conservation Act makes it incredibly difficult or more simply just expensive to alter the architecture in order to, for instance, implement an elevator.

The exhibition A Sock In the Eye consists of three architectural models that have been commissioned in collaboration with Chair of&#38;nbsp;Architecture and Care at the Department of Architecture ETH Zürich. Alongside the work Carried and Held (2012 -) by American artist Park McArthur. 
Thus A Sock In The Eye takes on the task of fantasizing about what The Royal Danish Academy of Arts in Copenhagen (1754) could look like, if the building was accessible.

It does so from three different perspectives on accessibility, Crip (Jordan Whitewood-Neal) Neurodivergence (Magda Mostafa) and Queer Aging (Andreas Angelidakis).

The combination of these three perspectives produces concrete proposals for the Academy, and more generally lends itself to an idea that moves architectural thinking away from compensation towards dreams beyond accommodation. 

On Tuesday the 16th of April 2024, The Bourse Building (Børsen) - former home to the Copenhagen stock exchange, now owned by the Danish Chamber of Commerce and the first building in Denmark to be listed on the Conservation Act - burned to the ground. 


The exhibition is produced in collaboration with the Copenhagen Kunsthal O—Overgaden. The three architectural models will travel and be on show at O—Overgaden from 20th June through 4th August. O—Overgaden is itself a venue included in the Danish Conservation Act, currently offering wheelchair access through its main entrance with a mobile stairlift, while working on obtaining permission for install a permanent stairlift


Institut Funder Bakke Æbeløvej 20 
8600 Silkeborg 
Denmark
Institutfunderbakke.com
Open Saturdays and Sundays 12 - 6 pm and by appointment
IFB has step-free access. If you have questions please feel free to contact us institutfunderbakke@gmail.co


A Sock In The EyeMay 4th&#38;nbsp; - June 16th&#38;nbsp;2024
Open Saturdays and Sundays 12 - 6 pm &#38;amp; by appointment Free and open to all


A Sock In The Eye&#38;nbsp;is produced with support by:The Danish Arts Foundation - June 15 Fund - The Augustinus Foundation - Knud Højgaards Foundation &#38;nbsp;- The Municipality of Silkeborg - Bevica Foundation - William Demant Foundation.


	&#60;img width="6717" height="4478" width_o="6717" height_o="4478" data-src="https://freight.cargo.site/t/original/i/725ebc45e9b7861447583e1bd2d2e9cb4ad6f0633a3602e22ab6d08bf6b5d805/funderbakke_Photo-MikkelKaldal-20.jpg" data-mid="212201018" border="0"  src="https://freight.cargo.site/w/1000/i/725ebc45e9b7861447583e1bd2d2e9cb4ad6f0633a3602e22ab6d08bf6b5d805/funderbakke_Photo-MikkelKaldal-20.jpg" /&#62;
&#60;img width="4477" height="6716" width_o="4477" height_o="6716" data-src="https://freight.cargo.site/t/original/i/fa3599e5365d5bffe690bc002118613afe62ee912e4ea5498fd33c886309b1db/funderbakke_Photo-MikkelKaldal-17.jpg" data-mid="212201015" border="0"  src="https://freight.cargo.site/w/1000/i/fa3599e5365d5bffe690bc002118613afe62ee912e4ea5498fd33c886309b1db/funderbakke_Photo-MikkelKaldal-17.jpg" /&#62;


&#60;img width="4357" height="6535" width_o="4357" height_o="6535" data-src="https://freight.cargo.site/t/original/i/f1dfaf235140be4e2dc4ecfd7ffff57d994d8cd229c021f93ef0d0e2f1273c79/funderbakke_Photo-MikkelKaldal-18.jpg" data-mid="212201016" border="0"  src="https://freight.cargo.site/w/1000/i/f1dfaf235140be4e2dc4ecfd7ffff57d994d8cd229c021f93ef0d0e2f1273c79/funderbakke_Photo-MikkelKaldal-18.jpg" /&#62;&#60;img width="6007" height="4005" width_o="6007" height_o="4005" data-src="https://freight.cargo.site/t/original/i/613d7c2cf22d1625b3bdefec6f6611d3dc14ece7be596408356e3703aa51740e/funderbakke_Photo-MikkelKaldal-13.jpg" data-mid="212201012" border="0"  src="https://freight.cargo.site/w/1000/i/613d7c2cf22d1625b3bdefec6f6611d3dc14ece7be596408356e3703aa51740e/funderbakke_Photo-MikkelKaldal-13.jpg" /&#62;&#60;img width="4480" height="6272" width_o="4480" height_o="6272" data-src="https://freight.cargo.site/t/original/i/023a55525a957bad7d507ef390aa9a71a1d0aa7c88c6e5147827262ca01f7300/funderbakke_Photo-MikkelKaldal-6.jpg" data-mid="212201007" border="0"  src="https://freight.cargo.site/w/1000/i/023a55525a957bad7d507ef390aa9a71a1d0aa7c88c6e5147827262ca01f7300/funderbakke_Photo-MikkelKaldal-6.jpg" /&#62;
&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/1609914383d8b57b1167e49fb3e770f0aca55061151eb7ad0fb7b0293294b658/funderbakke_Photo-MikkelKaldal-11.jpg" data-mid="212201010" border="0"  src="https://freight.cargo.site/w/1000/i/1609914383d8b57b1167e49fb3e770f0aca55061151eb7ad0fb7b0293294b658/funderbakke_Photo-MikkelKaldal-11.jpg" /&#62;Refuge as Prospect: A Sensory Landscape

by Magda Mostafa &#124; StudioTM&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
With production support from Kanzy Rammeya

History, beauty, art, heritage- all these powerful values dissolve, dissipate, become transparent in the absence of equitable access.

Art in its instruction, production and consumption is a deeply multi-sensory act- and within that act lies its power but also its challenge for the Neurodivergent mind. This mind- and its embodied relationship to the physical space of art- may pendulate between sensory seeking and sensory avoiding. Without, however, the senso-spatio-socio physical infrastructure to enact this pendulation, places of art may remain inaccessible to the neurodivergent experience. They may become islands of beauty and self-expression out of reach for the Neurodivergent experience by virtue of the very power they embody- the power of the deeply- and often overwhelming- multi-sensorality.

This piece explores this paradox by presenting the Neurodivergent experience as existing between two notions- that of the historical palace, represented as a transparent almost invisible vessel- falling from its position of importance as an artifact in and of itself, and only valuable in that it holds the prospect of space for the Neurodivergent experience with art. This is juxtaposed with a freeform spatial infrastructure inspired by the Autism ASPECTSS EscapeScape. As a white organic connected spatial canvas, it follows anticipatory desire lines through the palace, and expands into Sensory Escape Spaces- points strategically placed to provide the opportunity for sensory seeking and sensory avoidance- represented in a neutral white to take on future possibilities ranging along the spectrum of neutrality to sensory stimulation- from the absence of colour to the possibility of the full colour spectrum.

I see this as a canvas for possible futures- spaces that can be appropriated to escape and regulate the senses, but also spaces for sensory exploration through color, light, texture, movement and sound.
Magda Mostafa

&#60;img width="5541" height="3958" width_o="5541" height_o="3958" data-src="https://freight.cargo.site/t/original/i/dcce2705ede4dc7a415f9aec081dba687882c93e99e6c1ae228b4db7dd4f26f3/funderbakke_Photo-MikkelKaldal-5.jpg" data-mid="212201005" border="0"  src="https://freight.cargo.site/w/1000/i/dcce2705ede4dc7a415f9aec081dba687882c93e99e6c1ae228b4db7dd4f26f3/funderbakke_Photo-MikkelKaldal-5.jpg" /&#62;&#60;img width="6384" height="4256" width_o="6384" height_o="4256" data-src="https://freight.cargo.site/t/original/i/c4e7b9707198eb9dc66144f09a27b3c969737cc3f3d84f286d6a666c6ba7bb5e/funderbakke_Photo-MikkelKaldal-4.jpg" data-mid="212201004" border="0"  src="https://freight.cargo.site/w/1000/i/c4e7b9707198eb9dc66144f09a27b3c969737cc3f3d84f286d6a666c6ba7bb5e/funderbakke_Photo-MikkelKaldal-4.jpg" /&#62;&#60;img width="4366" height="6113" width_o="4366" height_o="6113" data-src="https://freight.cargo.site/t/original/i/58449d1e55d970a66b1d93daa78c791d9e630bb37aba950a5d93d9587ff52828/funderbakke_Photo-MikkelKaldal-7.jpg" data-mid="212201008" border="0"  src="https://freight.cargo.site/w/1000/i/58449d1e55d970a66b1d93daa78c791d9e630bb37aba950a5d93d9587ff52828/funderbakke_Photo-MikkelKaldal-7.jpg" /&#62; 
Model by Jordan Whitewood-Neal 
Inspired by the doll houses of MJ Long, and the desire to repurpose and reimagine the Charlottenborg building through a crip lens, this model opens up the building and its interior courtyard, providing a space for a speculative crip art collective to take route. Permeated by a sculptural ramp the space provides not only a provocation about heritage, disability, and the transformation of institutional space, but as an object, offers a backdrop for visitors and students to insert their own ideas for inhabitation. The model is imagined as a space for ongoing discussion, planning, and augmentation.

Jordan Whitewood-Neal


&#60;img width="4293" height="6010" width_o="4293" height_o="6010" data-src="https://freight.cargo.site/t/original/i/b4baafc61251cc393b723f2560fb97def3a9861961c64d45b82f959ea86725b1/funderbakke_Photo-MikkelKaldal-8.jpg" data-mid="212201009" border="0"  src="https://freight.cargo.site/w/1000/i/b4baafc61251cc393b723f2560fb97def3a9861961c64d45b82f959ea86725b1/funderbakke_Photo-MikkelKaldal-8.jpg" /&#62;&#60;img width="5881" height="3921" width_o="5881" height_o="3921" data-src="https://freight.cargo.site/t/original/i/5cdcfb1f5aa115c13f35603c82d78d2c722531205f15e338ed765409685beecb/funderbakke_Photo-MikkelKaldal-3.jpg" data-mid="212201003" border="0"  src="https://freight.cargo.site/w/1000/i/5cdcfb1f5aa115c13f35603c82d78d2c722531205f15e338ed765409685beecb/funderbakke_Photo-MikkelKaldal-3.jpg" /&#62;
Model accompanied by the zine Sissy by Andreas Angelidakis


&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/f272c50aaa7fd98c49c670f5c1220e10bd2ff0975360d7e2fb24ae2694e6e2e2/funderbakke_Photo-MikkelKaldal-14.jpg" data-mid="212201013" border="0"  src="https://freight.cargo.site/w/1000/i/f272c50aaa7fd98c49c670f5c1220e10bd2ff0975360d7e2fb24ae2694e6e2e2/funderbakke_Photo-MikkelKaldal-14.jpg" /&#62;
&#60;img width="4388" height="5485" width_o="4388" height_o="5485" data-src="https://freight.cargo.site/t/original/i/4e9f00866bfe91bdf7a1123cb778cdc3d4983e5fabb2d4fa1a72f90af8835157/funderbakke_Photo-MikkelKaldal-15.jpg" data-mid="212201014" border="0"  src="https://freight.cargo.site/w/1000/i/4e9f00866bfe91bdf7a1123cb778cdc3d4983e5fabb2d4fa1a72f90af8835157/funderbakke_Photo-MikkelKaldal-15.jpg" /&#62;Park McArthur, Carried and Held
2012 -


&#60;img width="5986" height="3991" width_o="5986" height_o="3991" data-src="https://freight.cargo.site/t/original/i/09dd808e38af70fe6ed22e6d161f6a27193bcfd55c4fc0f375a3182ec70a9421/funderbakke_Photo-MikkelKaldal-19.jpg" data-mid="212201017" border="0"  src="https://freight.cargo.site/w/1000/i/09dd808e38af70fe6ed22e6d161f6a27193bcfd55c4fc0f375a3182ec70a9421/funderbakke_Photo-MikkelKaldal-19.jpg" /&#62;
Photos by Mikkel Kaldal
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	<item>
		<title>Eavesdropper</title>
				
		<link>https://institutfunderbakke.com/Eavesdropper</link>

		<pubDate>Tue, 17 Oct 2023 10:09:15 +0000</pubDate>

		<dc:creator>IFB</dc:creator>

		<guid isPermaLink="true">https://institutfunderbakke.com/Eavesdropper</guid>

		<description>
	Eavesdropper

Maja Li Härdelin

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/40e0c1702345e327ee36b6de51b7f7a42b81b57b7babee2d5ae253e85bcbe631/8.png" data-mid="194603222" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/40e0c1702345e327ee36b6de51b7f7a42b81b57b7babee2d5ae253e85bcbe631/8.png" /&#62;

14th October &#38;nbsp;- 26th November&#38;nbsp;2023
	

	EavesdropperAs a child, Maja Li Härdelin faked illness to skip school and spend the day with her mum, who would lower her voice to keep her daughter from listening in on her private conversations: ‘But the whispers only amplified the content.’ 

Remembered fact and dramatised self-reflection mix to become synthetic consciousness at the bottom of being. Amplification, then: as a child, Maja Li Härdelin (or her persona in the film) faked illness to skip school (she used the power of falsity to define responsibility differently) and spend the day with her mum (a caregiver who flips into alien with a change of tone), who would lower her voice (is the voice the seat of spirituality?) to keep her daughter from listening in on her private conversations (mutual betrayal and sex are not far away here): ‘But the whispers only amplified the content.’ 

In the first of several unexpected encounters, the ‘unknown being’ appears. It is a gnome with grey, wrinkly skin and a malicious voice which adds the register of the supernatural to that of psychoanalysis, in the context of a discussion about ‘the gospel of truth'. By the artist’s own admission, “gnome” is an inadequate term for the nameless things that lurk ‘in the corners of reality’.

When you pick up contraband within the real to enrich and augment relations to other humans or other beings, signification begins to heave and drift. The micro-event attains a staged, meaningful quality: a cushion or illuminated specks of hovering dust assume a filthy eloquence; filled chocolates become slips of the tongue.&#38;nbsp;Even in fairy tales, mundane materiality is not saturated with meaning like these obscene definitions of perfection. 

As above, so below: eavesdropping, not simply to transgress the taboo but to affirm the real as a multi-dimensional ecology. Unless you are as fundamentalist about ‘the gospel of truth’ as straight religious people are there is irony at play in mystical reality, in the simple sense that irony places truth elsewhere than it is supposed to be. Irony dynamizes and renders movable the notion of truth, thereby shifting the focus away from truth-as-such to the means and ways with which it is mediated – a profoundly aesthetic proposition.

Yes, the unknown being eats children. ‘We are closing in on the possibility of understanding people’, the professor says. Family… Nationality… Maybe music allows for eavesdropping on other dimensions? Daring to play loud enough. Permanent penetration of the skull. Through its own meandering logic, alterity can appear through tiny holes.


text by&#38;nbsp;
Lars Bang Larsen


Maja Li Härdelin was born 1989 in Delsbo Sweden she holds a BFA from Konsthögskolan i Umeå Sweden and a MFA from The Royal Danish Academy of Fine Arts in Copenhagen


Eavesdropper14th October - 26th November 2023
Institut Funder BakkeÆbeløvej 208600 SilkeborgDenmarkInstitutfunderbakke.comOpen Saturdays and Sundays 12 - 4pm and by appointmentIFB has step-free access.If you have questions please feel free to contact us institutfunderbakke@gmail.com


Evaesdropper is produced with support from:The Danish Arts Foundation - June 15 Fund - The Augustinus Foundation - Knud Højgaards Foundation &#38;nbsp;-&#38;nbsp;The Municipality of Silkeborg.


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Photos by graysc
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